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| Invisible Creature logo brought to life. | 
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| 3,000 - Digital Die-cut stickers at 4" x 3" | 
What more can be said about the creative colossus known as Invisible Creature? Self-taught, DIY skills coupled with innate talent have paired to evolve into one of the most influential design duos of all time. Their reach extends from right here in the Pacific Northwest to the top of the music industry and beyond. The DCS is crew is absolutely floored to be producing stickers for artists whose work inspires them on a daily basis. Big thanks to Don and his brother Ryan for doing what they do and letting us share some of the glory.
And don't forget to join the , only 5 days left! 
Understanding the Creature | Who They Are
 
In the beginning⦠there was passion, manifested only as doodles in  the margins of school text books. From very early in our childhood, we  knew exactly what we wanted to do with our lives. This passion, though  possibly unrealized at the time, was not altogether arbitrary. Our  grandfather, Alfred Paulsen, had been an illustrator throughout his  entire professional life- 28 years of which he spent at NASA.  Additionally, our father devoted a good deal of his spare time in the  home workshop, crafting perfectly executed woodworks in the form of  furniture, toys and various other goods. The desire to create, and the  potential to do it with precision and imagination, was simply engrained  in us.
 
Growing older brought change in our motivation and expanded ideas of  exactly what it was we wanted to create. In our teenage years, we found  punk rock. By the time our school years were coming to a close, weâd  found ourselves utterly immersed in the culture. Just a few short years  later, our passion for music gave way to starting bands, signing record  contracts and touring the nation. Our time spent in the trenches of a DIY  music scene, and the knowledge acquired therein, would eventually prove  to be the groundwork for a longstanding future in the arts.
 
In 2000, to further pursue our career in both music and design, we  made the move from Sacramento, California, to Seattleâs ever-blossoming  artistic frontier. After finding ground in our new city, and suffering  various 9-5 dead-ends, we took a series of very necessary steps towards  making a living with our core passions in mind. The 5 years spent with  Asterik Studio, our first legitimate design company, allowed us to  expand our portfolio expansively in a very short period of time.  Additionally, our newly-founded metal band was seeing its own share of  success, with album sales in the hundreds of thousands, and sold-out  tours across the U.S. Juggling these two worlds was no easy task, but  somehow we managed- and loved every minute of it.
 
As the first decade of the new millennium began to pass, more changes  were brewing. In 2006, we decided on a mutual split from our good  friends at Asterik Studio, and launched a new company, just the two of  us. With an increasing desire to focus our efforts on print design, and a  reinvigorated passion for illustration, Invisible Creature was born.
 
Invisible Creature has had the honor of receiving 4 Grammy  nominations for music packaging, and have worked with clients such as  Target, Nike, New York Times, Esquire, Wired, Interscope, Sony,  Universal, Warner Brothers, Nickelodeon, Nordstrom and MTV- to name a few. Our work has been featured in the pages of Print, HOW,  Communication Arts, IdN, Step, in addition to publications of the  hard-bound variety by publishers such as Chronicle, Juxtapoz, Die  Gestalten Verlag and Fantagraphics.
